Labeled too disturbing and controversial for its time, John Huston's legendary film about the effects of war and post-traumatic stress returns with fully restored sound and visual quality.

This entirely African American-conceived and produced ensemble drama is the result of a collaboration of a pair of pioneering Black artists: writer Ishmael Reed and filmmaker Bill Gunn, who wrote and directed the underground classic Ganja & Hess and wrote the screenplay for Hal Ashby's The Landlord. 

Fredric March is an unscrupulous newspaperman eager to exploit the story of a young woman's death by radium poisoning. Carole Lombard knows she's not really dying but can't pass up a free trip to New York with all the trimmings. 

Danish film master Carl Theodor Dreyer's homoerotic classic Michael is a mature and visually elegant period romance decades ahead of its time.

Legendary Irish playwright Brendan Behan's insider's look at life on death row is a film "studded with gem-like performances" (Hollywood Reporter) that packs "a harsh Irish eloquence and a brutal dramatic punch" (New York Times).

A young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke), in an effort to save the life of her fiance (Walter Janssen). Death weaves three romantic tragedies and offers to unite the girl with her lover, if she can prevent the death of the lovers in at least one of the episodes. Thus begin three exotic scenarios of ill-fated love, in which the woman must somehow reverse the course of destiny: Persia, Quattrocento Venice, and a fancifully rendered ancient China.

Under the guise of an off-kilter New York romantic comedy, Keep the Change does something quite radical in offering a refreshingly honest portrait of a community seldom depicted on the big screen.

One of the most important films of director Marcel Ophüls' career, THE TROUBLES WE'VE SEEN explores the ethical challenges of war commentary, interlacing footage of 1993 Sarajevo with caustic references to Hollywood depictions of war.

Brazilian filmmaker Walter Salles accompanies the prolific Chinese director Jia Zhangke on a walk down memory lane, as he revisits his hometown and other locations used in creating his ever-growing body of work.