Shot in a single, uninterrupted take, Victoria, a runaway party girl, is asked by three friendly men to join them as they hit the town. Their wild night of partying turns into a bank robbery.

In this dazzling musical romance, a young woman, unable to find work as a music hall singer, partners with a down-and-out thespian to revamp her act. Pretending to be a man performing in drag, Victoria becomes the toast of the international stage.

An 8-year-old black child named Victoria (Keylia Achie Beguie), is taken in for a night by the wealthy, white, well-intentioned family of one of her schoolmates. The experience haunts her for years to come, shaping her desires and offering a mirage of privilege that she dreams of but finds impossible to attain.

On March 9, 1931, the SS Viking left the port of St. John's, Newfoundland, and sailed into motion picture history. On board were New York filmmaker Varick Frissell and an unusual crew of seamen and Hollywood movie people. Their mission: to shoot the final scenes for an epic feature film on the lives of Newfoundland sealers. Six days later, an accidental onboard explosion killed Frissell and 26 other men.

The late Andrzej Zulawski's final film, a literary adaptation suffused with his trademark freneticism, transforms Polish writer Witold Gombrowicz's novel of the same name into an ominous and manic exploration of desire.

Paul Schrader and Richard Gere reunite more than 40 years after American Gigolo in this moving portrait of an aging artist telling his life story, unfiltered, before it’s too late.

The Dardenne Brothers won this year's Best Director award at the Cannes Film Festival for this brave new work, another intimate portrayal-in-furious-motion of a protagonist in crisis.

Ayoka Chenzira’s overlooked classic, newly restored and ripe for rediscovery, is a coming-of-age comedy-drama about three Black women living in Brooklyn who live, love, and wrestle with what it means to exert and exercise their agency.

SAY AMEN, SOMEBODY is a joyous, funny, and deeply emotional celebration of Gospel music from director George Nierenberg featuring an earth-shaking line-up of performers.

From its opening title sequence, it is apparent that director Martin Campbell (CASINO ROYALE, GOLDENEYE) intended his first feature, a low-budget sex romp called THE SEX THIEF, to be an homage to the James Bond series. Irresistible to women of every variety, the roguish title character (David Warbeck) channels his inner Connery, muttering witty double entendres, relishing the danger of his secret mission, forever sidetracked by beautiful women.