Theatrical
Home
View All Films
Booking Inquiries
Join Our Mailing List
Theatrical News
Contact Us
Global
Kino Lorber
Home Video
Kino Edu
Kino Rep
About
Digital
Kino Now
Kino Cult
Kino Marquee
An apocalyptic roar of a movie, this is Derek Jarman's (Sebastiane) dizzying lament for the country he once knew and what he feared it would become. It is both deeply personal and grimly historical, and is undoubtedly one of the most important British films of all time.
The incredible story of how jazz music and soft power were used on both fronts of America's ideological battles during the Cold War - including in the Congo. An epic, original and supremely stylish trip through the 20th century from an original angle.
Eight-year-old Simon is an orphan who dreams of being adopted by a family. But Simon is not like other children, he is able to transform into other people whom he has touched. When his best friend dies in an accident, Simon takes on his identity and lives with his family.
SILENT AVANT-GARDE offers an essential collection of 21 short art film experiments in HD to 5K scans made from 35mm and 16mm picture elements.
DECEPTIVE PRACTICE traces Jay's achievements and influences, from his apprenticeship at age 4 with his grandfather, to such now-forgotten legends as Al Flosso, Slydini, Cardini and his primary mentors, Dai Vernon and Charlie Miller.
Adapted from The Wild Duck by Henrik Ibsen, a man returns to his hometown and unearths a long-buried family secret. As he tries to right the wrongs of the past, his actions threaten to shatter the lives of those he left behind years before.
More than 40 years before RuPaul's Drag Race, this ground-breaking documentary about the 1967 Miss All-American Camp Beauty Pageant introduced audiences to the world of competitive drag, as well as LGBTQ icons Flawless Sabrina and Crystal LaBeija.
The Competition begins, significantly, with the image of a locked gate—that of La Fémis, one of the most prestigious film schools in the world, offering hands-on training from working professionals and accepting only forty students per year from hundreds of applicants. This Wiseman-esque documentary from Simon, one of France’s premiere nonfiction filmmakers, observes the process whereby those lucky forty are selected—a process which is revealed to be highly personal, idiosyncratic, and subject to the vagaries of taste and personal prejudice. Funny, penetrating, and surprisingly suspenseful, The Competition offers not only a unique opportunity to see the inner workings of an institution at the very heart of the French film industry, but an invitation to look at the assumptions and roadblocks that shape any national film industry, and higher education in general.