Banned upon its original release in 1981, Andrzej Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Sam Neill) returns to his West Berlin home to find his wife Anna (Isabelle Adjani, in a role that earned her Best Actress at Cannes) insistent on a divorce. As Anna's frenzied behavior becomes ever more alarming, Mark discovers a truth far more sinister than his wildest suspicions. With its pulsating score, visceral imagery, and some of the most haunting performances ever captured on screen, Possession is cinematic delirium at its most intoxicating.

In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan.

This entirely African American-conceived and produced ensemble drama is the result of a collaboration of a pair of pioneering Black artists: writer Ishmael Reed and filmmaker Bill Gunn, who wrote and directed the underground classic Ganja & Hess and wrote the screenplay for Hal Ashby's The Landlord. 

Flirting with the conventions of blaxploitation and horror, Bill Gunn’s revolutionary independent film Ganja & Hess is a highly stylized and utterly original treatise on sex, religion, and African American identity.

Harry Dean Stanton: Partly Fiction is a personal documentary about the iconic actor in his intimate moments, with clips from some of his 250 films and his own heart-breaking renditions of American folk songs.

Adapted from The Wild Duck by Henrik Ibsen, a man returns to his hometown and unearths a long-buried family secret. As he tries to right the wrongs of the past, his actions threaten to shatter the lives of those he left behind years before.

An anti-Semitic far-right politician's astonishing transformation after finding out he is Jewish.

A horror anthology in which 14 directors delve into the terrifying truths and horrors of phobias.