What did French people of do during WW II? Marcel Ophüls' Oscar-nominated documentary shattered the myth of an undivided and universally resistant France under the Vichy government.

While alone in an abandoned television studio, two militants, Emile Rousseau (Jean-Pierre Leaud) and Patricia Lumumba (Juliet Berto), have a discourse on language. Referring to spoken word as "the enemy"--the weapon used by the establishment to confuse liberation movements--the two deconstruct the meanings of sounds and images in an attempt to "return to zero" and truly experience the joy of learning.

Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Leaud) and Veronique (Anne Wiazemsky), form a Maoist cell and plan to change the world by any means necessary.

From the darkly erotic imagination of Alain Robbe-Grillet (Trans-Europe-Express) comes EDEN AND AFTER, a dreamlike fable in which a group of decadent French students are drawn into the psychological and sexual games of a mysterious Dutchman.

REQUIEM?FOR?A?VAMPIRE was Jean Rollin’s favorite of all his films. Because he dredged the scenario from his subconscious, and because it was rushed into its written form so quickly, he felt it was his purest work.

In this 2-film installment, Daniel Auteuil presents a contemporary update to Marcel Pagnol's famed trilogy. Two emotionally impactful epics follow the hardships of two hopeless lovers, Marius and Fanny, during their time together and apart.

Nicole (Julianne Cote) is adrift after college graduation, working a dead-end summer job in her small Quebec hometown and spending evenings with her best pal, Veronique.

Jacques Rivette's Out 1 has been practically impossible to see for more than forty years. Both the complete 8-part series, Out 1: noli me tangere (1971), and the shorter theatrical version, Out 1: Spectre (1974), are offered here in newly restored 2K presentations supervised by the films director of photography, Pierre-William Glenn (Day for Night).

In the most personal of Jean Rollin's moody, erotic horror films, a man tries to solve the riddle of a vague childhood memory, which leads him in pursuit of a beautiful vampire, and the revelation of a horrible family curse.

FANNY is the second part of Marcel Pagnol’s classic trilogy following the loves and losses of a Marseille port community. Actor and director Daniel Auteuil (The Well-Digger’s Daughter) has faithfully and beautifully recreated the grand emotions of this beloved text. Following the events in the first part, Marius, Fanny (Victoire Be?le?zy) is abandoned and pregnant, and fearful for the future of her unborn child. To secure the baby’s future, she agrees to marry the wealthy merchant Panisse (Jean-Pierre Daroussin), who guarantees a comfortable, if loveless, future. As she is adjusting to her new reality, Marius re-appears in her life like a phantom, and all the old, powerful emotions bubble up once again. FANNY is a supremely entertaining melodrama that won’t leave a dry eye in the house.

Adapted from the novel Une vie by Guy de Maupassant, Stéphane Brizé’s follow-up to his Cannes and César Award winner The Measure of a Man explores the restrictive social dictates and moral codes of marriage and family in 19th century Normandy.

Commissaire Philippe Jordan is a rogue French detective in Marseille infiltrating a network of drug traffickers and their crime boss, Sauveur Meccacci.

French super-spy Joss Beaumont is a top agent sent on a mission to assassinate a foreign dictator. But when the political winds change, and Beaumont is double-crossed by his own government, revenge becomes the name of the game.

A man, Ivan, returns to Manila, seemingly aimless. At the whim of his wanderings and his encounters, the writer strolls through the fascinating megalopolis in search of his past and the meaning of his existence.

When a widowed police detective (Adèle Haenel) learns her dead husband was a crooked cop, she tries to help the man scapegoated for his crimes get back to his life and his wife (Audrey Tautou), setting off a spectacular sequence of events in this slapstick comedy set in the French Riviera.

The Dardenne Brothers won this year's Best Director award at the Cannes Film Festival for this brave new work, another intimate portrayal-in-furious-motion of a protagonist in crisis.