This edition presents the 1929 theatrical version, restored from archival 35mm elements by Film Preservation Associates. It is highlighted by the Technicolor Bal Masque sequence (in which the Phantom interrupts the revelry wearing the scarlet robes of the Red Death), as well as meticulously hand-colored sequences (replicating the Handschiegl Color Process). The film is presented at two different historically-accurate projection speeds, each with two different soundtrack options. Also included is the 1925 theatrical version, which survives only in poor-quality prints, but contains scenes that were removed from the 1929 release version.

Director Philip Haas follows land artist Richard Long on his walk across Algeria’s Hoggar, a volcanic region of the Sahara Desert.

Inspired by the award-winning short film of the same name, PATCH TOWN tells the story of Jon (Rob Ramsay), who has lived a sad life as an oppressed worker at a factory where hundreds of cabbage babies are born.

Long lost, this thrilling drama features the work of two great women artists: filmmaker Lois Weber and prima ballerina Anna Pavlova

After the shocking death of a disturbed patient, psychiatrist Dr. Allan Barnes (Paul Stevens) comes into possession of the ancient tribal mask that supposedly drove the young man to his doom. When Barnes puts on the mask, he is assailed with nightmarish visions of monsters, occultists, and ritual torture. Believing that the mask has opened a portal to the deepest recesses of his mind, the doctor continues to explore this terrifying new psychic world; even as the mask reveals a latent violence in Barnes' nature that threatens those closest to him.

Two years before directing the 3-D cult favorite The Mask (1961), Julian Roffman made his feature directorial debut with this early canuxploitation film, The Bloody Brood (1959).