Movie fans know the work of Harold and Lillian Michelson, even if they don’t recognize the names. Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.

One of the finest collaborations between Roscoe "Fatty" Arbuckle and Buster Keaton, THE COOK leads this collection of rediscovered comedy classics along with A RECKLESS ROMEO (1917) and NUMBER, PLEASE? (1920)

When an emperor’s son is accused of treason against the throne, he ends up in a fight for his life against all comers.

Can You Bring It: Bill T. Jones and D-Man in the Waters traces the powerful story of how one of the most celebrated works of art to come out of the AIDS epidemic revitalized two disparate communities, 30 years apart, both struggling to make sense of the plagues of their generations.

THE OTHER SIDE OF THE MOON features eight Apollo astronauts who intimately share their experience of going to the moon, describing what happened to them while they were there, and how their lives have been shaped by the experience in the 20 years after. The program to land a man on the moon became one of the greatest achievements of our civilization. Some of these astronauts went through amazing transformations. Some had trouble coping with the fame and then abrupt abandonment of public attention. In these candid portraits of the early astronauts, we learn about post-orbital depression, divorces, searches for meaning, flashes of mysticism, and discoveries of God.

A professor returns home after a long absence to introduce his wife to his father and two brothers, but the family reunion has unexpected and disturbing consequences. Based on one of Harold Pinter's greatest plays.

Alan Bates turns his Tony-winning role into one of his greatest film performances as a lecturer who experiences a truly awful day.

Almost a century after its release, The Birth of a Nation remains one of the most controversial films ever made... a landmark achievement of filmmaking that undeniably demonstrates the deep roots of America's racist history.

D.W. Griffith had a vision of the movies as the greatest spiritual force the world had ever known. Just one year after the huge success of THE BIRTH OF A NATION, he was emboldened to prove his faith in the new medium with the superproduction INTOLERANCE.

The heartbreaking story of a waterfront waif (Lillian Gish) from the Limehouse district of London who escapes the abuse of her father (Donald Crisp) through a doomed relationship with a Chinese immigrant (Richard Barthelmess).