Theatrical
Home
View All Films
Booking Inquiries
Join Our Mailing List
Theatrical News
Contact Us
Global
Kino Lorber
Home Video
Kino Edu
Kino Rep
About
Digital
Kino Now
Kino Cult
Kino Marquee
This edition presents the 1929 theatrical version, restored from archival 35mm elements by Film Preservation Associates. It is highlighted by the Technicolor Bal Masque sequence (in which the Phantom interrupts the revelry wearing the scarlet robes of the Red Death), as well as meticulously hand-colored sequences (replicating the Handschiegl Color Process). The film is presented at two different historically-accurate projection speeds, each with two different soundtrack options. Also included is the 1925 theatrical version, which survives only in poor-quality prints, but contains scenes that were removed from the 1929 release version.
Bela Lugosi stars as the head of a struggling studio, who tries to contain a scandal after an actor is killed during the making of a film. While the police investigate the deepening mysteries within the studio, a quick-witted screen- writer (DavidManners) decides to solve the crime himself, in order to clear the picture's leading lady (AdrienneAmes) from suspicion.
This classically told monster movie directed by Vernon Sewell is set in motion when mutilated bodies begin appearing in the English countryside, drained of blood. Horror icon Peter Cushing stars as Detective Inspector Quennell, brought in to investigate the deaths.
A cinematic meditation on humanity’s massive reengineering of the planet, Anthropocene: The Human Epoch traverses the globe using state of the art camera techniques to create a stunning, provocative and unforgettable sensory experience of our species's breadth and impact. Narrated by Alicia Vikander.
Winner of top prizes at the BlackStar and New Orleans Film Festivals, this gripping social thriller centers on a Black woman and her white boyfriend as they seek care following a sexual assault, offering a unique exploration of institutional racism and sexism from a Black female point of view.
Based on the play by Bertolt Brecht (originally translated by Charles Laughton), GALILEO explores not merely the infamous historical figure, but the philosophical concepts for which he was both celebrated and condemned.
Long considered lost, THE DRAGON PAINTER survives today as a shining example of Asian-American cinema, starring Sessue Hayakawa (The Bridge on the River Kwai) as a delusional hermit recruited by a famed artist to pass on his legacy.
Lois Weber's infamous attack on the moral decay of society which caused a sensation by featuring a fully nude woman to portray "the naked truth." A huge hit, which propelled Weber to the front ranks of all silent film directors.
In Balanchine's Classroom takes us back to the glory years of Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius. Opening the door to his studio, Balanchine’s private laboratory, they reveal new facets of the groundbreaking choreographer: taskmaster, mad scientist, and spiritual teacher. Today, as his former dancers teach a new generation, questions arise: what was the secret of his teaching? Can it be replicated?
SAY AMEN, SOMEBODY is a joyous, funny, and deeply emotional celebration of Gospel music from director George Nierenberg featuring an earth-shaking line-up of performers.
When middle-aged milquetoast Chris Cross (Edward G. Robinson) rescues street-walking bad girl Kitty (Joan Bennett) from the rain slicked gutters of Greenwich Village, he plunges headlong into a whirlpool of lust, larceny, and revenge. SCARLET STREET is Fritz Lang's 1945 remake of Jean Renoir's 1931 LA CHIENNE.
This volume includes a short comedy (Antosha Ruined by a Corset) a film by director Evgeni Bauer (A Life for a Life) and newsreel footage of an adored Russian star's funeral.
In 1911, photographer Edward S. Curtis traveled to British Columbia to work with members of the Kwakwaka'wakw to create a film celebrating the art and culture of this Native American people.
Banned by the Soviet government and unseen for more than seventy years, these 26 pieces of cinematic history reveal the underappreciated excellence of filmmaking in Czarist Russia.